Make It Roll

 

Speaker Events

 

Fluxus Box

 

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View #5 1/2

Duality of Nature and Man

Wood, metal, found natural wood, nails, red string

12” x 6” x 6”

Artist Statement:

My intent with this sculpture is to visually communicate the duality between nature and human construction, focusing on the tension between control and natural freedom. Inside the box, I suspended three objects to represent different relationships between nature and human influence. One object is a metal cage containing tangled red string, symbolizing restriction and controlled emotion. Another is a hand-cut wooden board with nails, also suspended by red string, representing human alteration of natural materials and imposed structure. The third object is an uncut piece of natural log, hanging simply to emphasize raw, untouched nature. I used red string throughout to connect the objects visually and conceptually, suggesting shared tension despite their differences. By placing all three forms within a confined space, I highlight how nature and human systems coexist but remain in conflict. The contrast between metal, manipulated wood, and natural wood reinforces ideas of control, transformation, and preservation.

Notes:

The inspiration for this work comes from The Fox and the Hound, especially the contrast between what is natural and what is shaped or controlled by humans. I focused on the idea of duality, showing nature as organic and free while human influence appears structured and restrictive. I experimented with hanging objects inside the box using red string to create tension and connection between all three forms. I tested different materials like metal, wood, and found natural pieces to emphasize contrast in texture and weight. I also adjusted the placement of each object several times so the balance between natural and constructed elements felt intentional.

Gregor’s Room

 

View 1

A Light in the Darkness
Paper, ink
8” x 8” x 8”

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Detail 1

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Detail 2

Artist Statement:

The three sculptures visually communicate isolation, emotional distress, and the quiet presence of hope within darkness. While exploring materials for the sculptures, I focused on fragility and confinement to express Gregor Samsa’s emotional and physical isolation in The Metamorphosis in a tangible way. I decided to include a small worn bed, twisted paper forms, and a separate light source to represent vulnerability, entrapment, and resilience. I felt the work was not achieving the emotional intensity I wanted, so I increased the contrast between dark textures and the light element to strengthen the sense of isolation and hope. I want to keep exploring how simple, everyday materials can communicate complex emotional states. I want to learn more about how composition and lighting can guide emotional interpretation in sculpture. This piece allowed me to explore how physical form can reflect psychological experiences. The making of this work exposed new ideas, such as using contrast to represent hope within overwhelming circumstances.

Experimental Sculpture Collection

Tumbling Boxes, Twister, Wind, Water, & Light

       

        

Tumbling Boxes

Paper, Wood, Hot Glue

7" 9" 2"

        

Wind, Water, & Light

Wood, Hot Glue, String, Paper

12" x 4" x 12"

        

        

       

Twister

Paper, Wire, Modpodge, Wood, String

13" x 7" x 11"

        

In-process Pictures

Artist Statement:

The three sculptures visually communicate fragility, balance, and transformation through their delicate structures and contrasting materials. While exploring the materials to build the sculptures, I wanted to focus on transparency and tension because they create a sense of instability and movement. I decided to include materials like thin wood, translucent plastic, and geometric forms. I felt the work was not producing the results I wanted in terms of cohesion, so I adjusted the scale and spacing to better unify the pieces. I want to keep exploring the relationship between organic and geometric forms. I want to learn more about how material choices affect perception and structural integrity. This piece allowed me to explore the balance between fragility and stability. The making of this work exposed new ideas, such as using negative space as an active element in the composition.